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Musical Activism

 
 
grant
14:47 / 31.10.03
I thought it might be nice to warehouse musical reactions to politics and current events, and maybe to discuss what works, what doesn't, and how it works or doesn't work. Music as politics.

What made me think of this is word of the following:
Tell Us The Truth.

It's a touring festival featuring Rage Against the Machine's Tom Morello, Billy Bragg, Steve Earle and Lester Chambers. That's a blues/gospel guy, a punk/folk guy, a bluegrass/country guy and a hard rock/nu-metal guy. Pretty diverse.

They're basically trying to raise awareness about, well, public awareness. And fair trade. The Miami date (which is something I'm not used to seeing) will coincide with the latest Free Trade talks and protests.
I wonder if Billy Bragg is ready for the Cuban exile hardliners....

In other words, this an *event*. Think it'll help change anything? Or just act as a kind of catharsis outside the gates while the same old same old goes on inside?
 
 
grant
17:21 / 31.10.03
Note 1: Jill Sobule, Janeane Garofalo, and Mike Mills are gonna be at some of the tour stops.

Note 2: The events of the 19th are free, for one thing, and part of a big "teach-in"/rally series. More on that here, at citizenstrade.org. It's gonna be a little nuts, I think.
 
 
subcultureofone
15:17 / 09.07.04
sex, trees, and rock-n-roll. public sex for a good cause! with live musical accompaniment! will it catch on?

> Ellingsen, age 28, and Leona Johansson, age 21,
> are members of the
> environmental organization «Fuck for Forest.»
> They have sex in public
> in order to put focus on the rainforest.

nsfw

story and follow-ups here
 
 
Perfect Tommy
18:37 / 09.07.04
From a slightly different angle, the Hip-Hop Summit Action Network.
 
 
grant
19:20 / 09.07.04
The Quart festival piece -- the one with the people who have public sex for the rainforest -- reminds me of these, the "axis of eve" panties. For protest flashers, I guess.

The Hip Hop Summit Action Network, on the other hand, is more politically exciting than, ummm, exciting in other ways. It reminds me of this NPR bit I heard last month on the first National Hip-Hop Political Convention. There are some people in that music scene who are defining a political constituency and using it as a voting bloc to effect social change. They're already doing it. They view themselves as inheritors of (and counterbalances to) the "Civil Rights Generation." Check out their site.

It's not a scene I follow, so I'm not getting all the details, but it seems really cool from here.
 
 
Skeleton Camera
16:57 / 12.07.04
On a smaller scale, there is a movement within the hip-hop community towards public service and volunteerism. This has even stretched into 'mainstream' fashion and music advertising. Whether it's "sincere" or not I do not know - but if it inspires someone, does it matter?
 
 
Our Lady Has Left the Building
00:21 / 13.07.04
Billy Bragg's in the States? I guess in the UK what overshadows everything else in the politics/pop area is Red Wedge, the fairly dire 'musicians who support Labour' movement of the Eighties. Since then most bands who have dallied with political views have made sure to distance themselves from that, be they Manics, Oasis, Blur or even, god help us, Chumbawamba.

Musicians seem to be positioning themselves in the same area as NGOs, not directly in the political process to the same extent Red Wedge were, but on the outside looking in. This gave Blur the freedom to cautiously welcome Labour when it became New, but criticise them for abandoning Labour principles...
 
 
grant
00:37 / 13.07.04
I think the Woody Guthrie/Mermaid Avenue thing has been keeping Bragg kind of busy on this side of the Atlantic for a while. Which is probably pertinent to this thread in that Nora Guthrie essentially chose Bragg to be a posthumous collaborator with her dad because of his politics, I think.
 
 
Brigade du jour
22:36 / 17.07.04
Saw Sheryl Crow at Wembley Arena a few weeks ago and the gig as a whole rocked, and felt suffused with a certain ideological outrage, expressed in Sheryl's characteristically laid-back manner.

However, when she came on for what I think was the second encore, she performed a sweet little song on a piano, with a huge video backdrop of pretty standard footage of war, death and destruction (and IIRC plenty of images of Bush being smug cos, like, he just can't help it).

My point, though, is this - as much as I like and respect Sheryl and am very glad she tried to make political statements in public, I couldn't help feeling a little bit queasy at the somewhat glib way they were crowbarred into the show.

It reminds me of when I listen to early Prince records (and I am a HUGE Prince fan - I even like the Batman soundtrack), many of which had plenty of explicitly political songs. Tracks like "Partyup", "1999" and especially "Ronnie Talk To Russia" present very naive sentiments, usually just as naively expressed. 'Like, if we all get high on music and love and sex and stuff, all the bad things happening in the world will go away, man!'

Of course this is part of a simplistic pop music tradition stretching back to 'All You Need Is Love' and beyond, and sometimes I can't help being cynical about it.
 
 
grant
15:10 / 26.07.04
MoveOn.org has just released the Future Soundtrack for America album.

You can get it at that link there for a donation to MoveOn.org -- I'm not sure if foreign nationals are allowed to do that. BUT, it's also going to be on sale at Barsuk Records.

The track listing is pretty amazing:

OK Go : This Will Be Our Year

David Byrne : Ain't Got So Far To Go

Jimmy Eat World : Game of Pricks (BBC evening session)

Death Cab For Cutie : This Temporary Life

Blink-182 : I Miss You (James Guthrie mix)

Mike Doughty : Move On

Ben Kweller : Jerry Falwell Destroyed Earth

Sleater-Kinney : Off With Your Head

R.E.M. : Final Straw (MoveOn mix)

Bright Eyes : Going for the Gold (live)

The Long Winters : The Commander Thinks Aloud (future mix)

will.i.am of The Black Eyed Peas : Money

They Might Be Giants : Tippecanoe And Tyler Too

Clem Snide : The Ballad of David Icke

Yeah Yeah Yeahs : Date With the Night (live)

Fountains of Wayne : Everything's Ruined (acoustic)

Nada Surf : Your Legs Grow

The Flaming Lips : Yoshimi Battles the Pink Robots (live on the BBC)

Old 97's : Northern Line

Laura Cantrell : Sam Stone

Tom Waits : Day After Tomorrow

Elliott Smith : A Distorted Reality Is Now A Necessity To Be Free


So, Blink-182 and Ben Kweller are sharing song-space with Tom Waits and David Byrne. Who'd have thunk it?

According the MoveOn site, proceeds from the album sale "will make a real impact, allowing the PAC to run ads that counter the Bush campaign's negative attacks on Kerry and present a vision for how our country ought to be."

I wonder how many people buying this album will be a/ old enough to vote, and b/ will be convinced to change a vote for Bush to a vote for Kerry, by either the fact of the album itself or by the (non-specific) advertising the album will fund.
 
 
grant
13:16 / 04.08.04
Even bigger names are getting in on the action.

Has this happened before? I mean, this had to have gone on when Nixon was running....

Springsteen, Dixie Chicks, Pearl Jam stumping against Bush

NEW YORK -- In an unprecedented series of concerts in nine swing states, more than 20 musical acts -- including Bruce Springsteen, Pearl Jam and the Dixie Chicks -- will perform fund-raising concerts one month before the Nov. 2 election in an effort to unseat President Bush.

The shows, which will begin Oct. 1 in Pennsylvania, will take an unusual approach: as many as six concerts on a single day in cities across the states expected to decide the November presidential race. Other stops on the tour are North Carolina, Ohio, Michigan, Iowa, Minnesota, Missouri, Wisconsin and the key state in 2000, Florida.

"We're trying to put forward a group of progressive ideals and change the administration in the White House," Springsteen told The Associated Press in the most overtly political statements of his 30-year career. "That's the success or failure, very clear cut and very simple."


The strategy is to have a bunch of double-headliner dates, like the Dixie Chicks and James Taylor playing one town while Springsteen and REM play another -- they're pairing up then splitting off.

The list of performers includes: Jurassic 5, John Mellencamp, Bonnie Raitt, Jackson Browne, Babyface, Bright Eyes and the Dave Matthews Band. And, I gotta add (even though the AP didn't), Death Cab for Cutie.

There's a website here.
 
 
grant
16:29 / 05.08.04
Hell damn, Springsteen just wrote an editorial about this for the NY Times.

My favorite quote:
We granted tax cuts to the richest 1 percent (corporate bigwigs, well-to-do guitar players), increasing the division of wealth that threatens to destroy our social contract with one another and render mute the promise of "one nation indivisible."
 
 
grant
01:59 / 17.06.06
Bumping this because I just found this (old) thing, which is still pretty damn relevant and a great piece of perspective.

OK, so I'm late to the party. I've just found this Sarah McLachlan video, which delights me simply for existing.

On one level, it's a pretty brutal bit of what matters. And I kind of like to imagine there's some record company exec who's steaming mad at McLachlan for misallocating funds or lying on the budget allocations (let me live with the fantasy).

As far as I can tell, the thing's more than a year old, but I'm not really a McLachlan fan.

It's still... current. There's more on how it got made over here:

Muller captured a stark, simple performance by McLachlan that is interspersed with scenes displaying the standard cost for video production (inclusive of camera crews, electricians, and location fees, etc.) comparing those costs with the price of food, medical supplies and education for over one million people.... Those expenses that are customary for a video production were sent to a list of 11 charities with total funds equaling $150,000. The only production expense was $15, the cost of a Sony miniDV tape.


Decent reminder.

I'm also fond of the fact that the link at the bottom led me to the FilmAid International website, which seems like my kind of charity.
 
 
Solitaire Rose as Tom Servo
15:52 / 17.06.06
I think the new Neil Young CD with all of its bluster about being a protest album highlights the problem with musical protest in the current media environment.

It's not getting airplay. Not because of any sort of "pro-Bush" conspiracy, but because it's a completely irrelevant album. Young holds next to no interest for the people who program pop music now, and the peopel who would know Young from either his first glory days, or his rebirth with Pearl Jam in the 90's listen to statiosn that don't play new songs from the bands they program.

So, it sells to people who already agree with him, and they nod their heads and agree quietly. I wish it werent' so, but any artist who puts out a protest album can quickly get marginalized because of how music is sliced up on American radio.

Green Day is a notable exception, but I see American radio, at least, doing a fine job of making music bland background music and anyone with somethign to say having to find a way to get it out through alternate means.

Anyone able to prove me wrong, since I've switched over to Satellite and internet radio? Please??
 
 
matthew.
17:05 / 17.06.06
Green Day is a notable exception

Except for the fact that Green Day's "message" is horribly simplistic and one-dimensional. "Oooh, Bush is bad and war is bad. That's all, folks." They have very little to add to any debate. I may not be a fan of Bush, but I loathe people who simply hate on Bush just because.

There's political songs, there's anti-war songs, and then there's "war is bad" songs, which are as primitive as "love is good" songs.
 
  
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