BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Creative Writing Exercise - 'in the style of' (this one's harder than you think)

 
 
We're The Great Old Ones Now
13:21 / 18.09.03
Write at least two hundred words in the style of Raymond Chandler. Don't pastiche, don't satirise. Stay in genre.

I'll do one later, as soon as I've glanced at some Chandler to refresh my memory.

Over to you...
 
 
Whisky Priestess
19:21 / 18.09.03
"So, I'm like, to Monica, yeah, could I be any fuller-faced? And she's like -"

Oh, sorry. Wrong Chandler.
 
 
We're The Great Old Ones Now
08:10 / 19.09.03
Hah! Just for that, I'm so going to plague you until you do this one.
 
 
Whisky Priestess
22:22 / 21.09.03
Aaalrighty then ...

"Farewell, My Lovely Big Sleep in the Lake"

A Chandler pastiche by Turtleballs and Whisky Priestess


Characters: (to be read as stage directions)

Frankie Bacon – a worn-out private dick with a drinking habit so long they call him Sister Glenfiddich.

Tallulah Strumpet – the kind of gal you see hangin’ off other fellas’ arms when they oughter be hangin’ on your lips.

Mary Halfewicz – a worn out private dick’s secretary. She got a voice you could cut concrete with and nails to match.


Scene:
The run-down office of a hard-up gumshoe who’s more gum than shoe. The secretary, Mary, whose hair is a shade of blonde you only see on Dulux colour charts, sits at her desk, chewing bubblegum and shaping her nails with a large industrial file. Bacon enters.

Bacon: (to audience) It was a cold, damp day in Kentish Town. I went into the shabby little office I call Hell and greeted the staff. (To Mary) Hi. Any calls?

Mary: Only the phone company.

Bacon: (to audience) I’d done some work for their head honcho, Alex G. Bell, a few months ago – a little case of retrieving an unfortunate voicemail message left while drunk. (To Mary) What did they want?

Mary: To cut us off.

Bacon: Oh. (pours whisky. To audience) I poured myself a shot of Ol' Grandad from the office bottle for no reason at all. (To Mary) Got any gum, chum?

Mary removes the bubblegum from her mouth and hands it to him

Mary: This do ya?

Bacon plugs a hole in his shoe with it.

Bacon: (To audience) Old habits die hard. I headed into the dingy little room that my secretary refers to as my inner sphinctum. She’s a little dipsolexic. My desk was littered with mail, the usual sort of unwanted ads that clutter up a shamus's office.

Reads from a circular

“Tell the personality of your correspondent based on a scientific analysis of his choice of fonts, only three dollars per page.” It didn't take much science for me to know this gee was screwy. As I watched the rain fall on the diner below, I thought to take another slug from the bottle. Then I heard something in the office outside.

Tallulah enters the outer office.

I didn’t get my hopes up that it was a client. Last time I had another person in my office was when the Health Inspector came round to condemn the building.

Tallulah:Is this a detective agency?

Maey: That’s what it says on the door.

Tallulah:No, the door says Gerald and Sons, Petfood Wholesale. But I thought what the hell, the dog hasn’t been fed for a few days, and decided to take a chance.

Mary: You want coffee?

Tallulah:No thank you.

Mary: That’s lucky.

Tallulah:I’ll see myself through, shall I?

Mary: No-one else is gonna watch ya.

Bacon: (To audience) Then she walked in. She had a full set of curves with 50 per cent extra free, and hair the colour of an expensive dye job. She was giving me a look I could feel in my hip pocket.

Tallulah: Got a slug of rye in there for me?

Bacon: Unfortunately it was the wrong hip pocket. I handed her my flask and a cigarette.

Tallulah: Thanks. Are you Marlowe?

Bacon: Marlowe? Now what would a nice guy like me be doing with a name like that? No, I'm Bacon, Frank Bacon. I wrote Edward II and Shakespeare's plays too.' (To audience) I laughed. She didn’t. Life’s like that sometimes.

Tallulah: Can the ham, Bacon. I got a job for you that’ll make your eyes pop out on stalks and give your wallet a weight problem. Do you want it or not?

Bacon: Uh-huh. Sure. But I get 25 dollars a day, plus expenses - mostly whisky and bus fare.

Tallulah: Great. I’ll be in touch.

Bacon: (To audience) Grinding her cigarette out on her heel, she turned away and started for the exit, limping slightly. As I stood drinking her and some bourbon in, she stopped and leaned coolly on the doorframe.

Tallulah:If you need anything else just pick up the phone and blow in my ear. You know how to blow, don't you?

Bacon: Sure. You just put your lips together and whistle. (Pause. To audience) It sounded better in my head.

To be continued …
 
 
Whisky Priestess
22:25 / 21.09.03
Whoops, pastiche. Ah well. Better than anything Mr. Pasada can come up with, I expect ...

 
 
Hattie's Kitchen
13:09 / 22.09.03
Whisky, that's bloody brilliant!
 
 
autran
20:28 / 22.09.03
CHANDLER by autran

Most dames, they hate rain. Figure it's cold, gets their hair wet, ruins their fancy shoes, so forth. But some dames love it and they're the ones you got to watch.
Tonight I'm watching Clara. I'm not talking about the way any man with a drop of red blood would watch Clara. Or maybe I am; maybe I don't know why I'm watching her tonight. I told her I wouldn't and I told myself my job was done and I'd been paid so I could go home. But I didn't. Maybe it was the way she paid; maybe I figure I owe her.
I'm watching Clara as she walks through the puddles stupidly, like a rain-loving dame. Between her and me there's two lanes of traffic, a sidewalk, the window of Ashman Jackie's bar, an ashtray, and a shot of neat bourbon. In that order. That and the worst storm in the history of Chicago ought to be enough to stop me from doing anything dumb like trying to help her.
She stops outside the Italian grocer and gets a gun out of her purse. She stares at it, letting it get wet in the pouring rain.
Next to the Italian grocers is a smart restaurant with a French name and a Packard parked out front. Next to the French name is Enrique's barber and there's Enrique helping a clean shaven man on with his coat. Clara knows the man and I do to since I met her.
His name's Caxton; he's a coward and he cheated on her. It's smart to be a coward, I got a lot of friends who're only alive 'cos they're cowards including myself. But a man who cheats on a rain-loving dame is asking for trouble.
Caxton leaves Enrique's and turns left, away from Clara, not seeing her. She raises the pistol and I pray she's just going to shoot him but she doesn't. I can see Clara's mouth moving and guess she's calling his name. She should have shot him in the back when she had the chance. Now it's going to be toe-to-toe, and you never win fighting toe-to-toe with a coward.
He's smart like I said and reaches inside his jacket without breaking step. Clara's mouth moves again but I still don't hear what she says on account of the downpour. The only thing I can hear over the rain is the two gunshots.
First was Clara's as Caxton turned and dived in front of the Packard. Then his, a heartbeat later. She missed, he hit, the end? Not quite.
She's hit in the stomach and drops to her knees. Now I need all the Bourbon to make sure I can't hear her. She falls forwards, keeping herself off the floor with her left hand. Somehow she raises her right hand and the gun and her head to look for Caxton. She can't see him because he's crouching out of sight by the Packard's bonnet. He knows he hit her, he knows she's not dead, he knows she'll die soon and all he has to do to kill her is stay put.
Clara's gun hand drops as she starts to crawl towards Caxton. She's on all fours and it reminds me of the night we made it so she could pay me for finding him. It's wasted now because she isn't going to get Caxton. Even with the storm rain washing her a bucket-a-minute I can see blood on her skirt, her legs and her shoes. It's the same skirt I lifted up to her waist that night and they're the same shoes that she left on the whole time she was paying me. She was a rain-loving dame all-right.
I need another Bourbon and turn to catch the Ashman's eye. When I turn back Clara's lying flat on the sidewalk. Her fancy shoes are ruined, her hair's wet and she's cold.
 
  
Add Your Reply