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Basement Jaxx's Kish Kash - not out til October, wail and gnash

 
 
Regrettable Juvenilia
14:34 / 12.08.03
Offishull press release says this:

"Kish Kash - Basement Jaxx
Released: October 20th on XL Recordings

Ripping up the rule book once again, Basement Jaxx return with their third album Kish Kash. With Remedy and Rooty they famously "fucked house music up the arse". Now they're going to fuck with your heads. Taking in punk, funk electro and northern soul the Jaxx have produced an astoundingly intense, ugly and beautiful ride from start to finish.

Filching from all the disparate strands of music's past to create something spellbindingly new, this album sees a handpicked band of collaborators drawn from across the musical spectrum and Felix and Simon's magpie like-record collections. First single 'Lucky Star' (released November 10th) sees the Jaxx in cahoots with the UK underground's boy in the corner Dizzee Rascal, a harsh tagteam assault leaping straight from the underground and into the charts. Other collaborations include legendary South London punk pioneer Siouxsie Sioux on electropunk thrashout Cish Cash; Lisa Kekaula from LA rock and soul shakermakers the Bellrays belting out 'Good Luck', the kind of
crazed stomper you'd end up with if Grooverider played at the Wigan Casino; nu soul diva Meshell Ndegéocello getting sassy on p-funked dancefloor mover Right Here's The Spot and N*Sync asylum seeker JC Chasez adding some falsetto to the unhinged r&b sex-up meets rave anthem that is Plug It In.

Basement Jaxx have returned to give dance music a much needed slap in the chops. Taking Where's Your Head At as the blue print and their 'punk garage' fusion to its logical endgame Felix & Simon have produced an album that is above and beyond genre classification. Now, when all around are treading creative water, Kish Kash dives in at the deep end. Ready for La Future?"


So. On the one hand, Rooty is a fucking awesome album, and I still cannot think of the words Basement Jaxx without getting 'Romeo' stuck in my head which in turn puts a smile on my face and a spring in my step. And to this the presence of Dizzee, Siouxsie, The Bellrays' singer and someone from N*Sync really suggests something... mental.

On the other hand, it could mean 'ooooh, look at me I'm eclectic'. And it always puts the wind up me when press releases say an album is going to fuck with our heads by like, wow man, mashing up loads of genres.

The big question then: will this be their Surrender or their Fat Of The Land? I figure it could go either way, but I'm leaning towards at least half of it being brilliant, and I'm dying to hear it...

That's the next few months big albums sorted then: Neptunes present Clones this month, Outkast next month, and then Kish Kash.
 
 
Regrettable Juvenilia
13:08 / 13.08.03
C'mon people! Is it that we're not fond of discussing albums that aren't out yet? Or is no-one at all interested in this? Shall we talk about Rooty instead, or has Sigur Ros infected your souls?

CumonbabyundressmecaressmeGETTMEOFF.
 
 
Matthew Fluxington
15:20 / 13.08.03
I don't really like Basement Jaxx, aside from "Where's Yr Head At" and the bootleg mix of "Romeo" with The Clash's "The Magnificent Seven" as the backing track.

Oh god, you're going to love Clones, by the way. I got it off of soulseek, and it is a really great record. I think you might be surprised by it.
 
 
Murray Hamhandler
19:10 / 13.08.03
I'm thinking: omitting "Where's Your Head At", "Just One Kiss", and possibly "Crazy Girl" (my least fave tracks on the album), you'd have one near-perfect pop gem.

Looking very forward to new Jaxx material.
 
 
Spatula Clarke
11:10 / 14.08.03
Taking Where's Your Head At as the blue print

Considering that's one of my least favourite tracks from Rooty, I might not be too chuffed with this. I think you're on the money with "at least half of it being brilliant," Fly - I'm not convinced that either Remedy or Rooty work consistently as albums, Remedy starting fantastically then getting a bit dull when it hits the halfway mark, Rooty's tracks covering so much ground that it sounds more like a (stunning) compilation of releases by different people.
 
 
Spatula Clarke
11:17 / 14.08.03
And yeah, I know it's meant to sound like that, but it's never struck me as entirely successful, for reasons that I've never been able to put my finger on.
 
 
Tryphena Absent
12:22 / 14.08.03
Aw, I love Just One Kiss, it contains all the sweetest things about that type of music.

I think Rooty works just fine and you're being far too critical of it. It progresses from the first track through to the end and works pretty well as an album. Admittedly I'm not much of a fan of Romeo or Where's Your Head At but they're not really songs to listen to, both sound best live or in a club... dance tracks.

For me the worst thing about Basement Jaxx is the cover art on their albums. Yuk.
 
 
The Natural Way
13:24 / 14.08.03
I'm always a bit weirded out when peeps tell me they don't enjoy *listening* to dance music. C'mon! We're the fucking rave generation, kids! We were supposed to have figured out how to get our heads round 8 min drum loops 10 years ago!
 
 
Regrettable Juvenilia
13:40 / 14.08.03
I don't think that's quite the sense here, Mum. I suspect the comparison being made is between hearing it on the dancefloor, and hearing it in your room when you're having tea and biscuit.

Mmmm. Tea. And biscuits.
 
 
Tryphena Absent
13:49 / 14.08.03
Exactly. I like dance music but I don't count anything off Rooty as Dance Music. It's not fast enough and it's not real clubbing music... but those two songs are music to dance to and hear at about twice the volume of the average speakers you get in a home.

Now you want to talk about Dance Music and you're getting in to the deep, dark and hidden depths of my passion for Friday night, ecstasy driven Sundissential. Who wants to listen to that when you can move to it?
 
 
The Natural Way
14:11 / 14.08.03
Hey, I like to do both.

With tea.
 
 
No star here laces
16:57 / 14.08.03
Trance bunny. Feh.
 
 
Regrettable Juvenilia
10:20 / 21.10.03
So this is out now - has anyone heard it in full who can tell me just how good it is? I'm trying to decide whether I should spend my paycheque on this, the new RZA, or both...
 
 
No star here laces
10:30 / 21.10.03
Both. From what I heard.
 
 
Matthew Fluxington
12:21 / 21.10.03
Go for both, ideally.

The Basement Jaxx record is of high quality, but I'm already really tired of it. It probably won't have the best shelf life, but it's a big thrill, for sure.
 
 
Not Here Still
14:48 / 21.10.03
Was going to bump this yesterday after my little spree - got Kish Kash as well.

Haven't played it in full yet, but there's enough on there which I've heard to make me think that all is well in the world of Jaxx. There are enough 'moments' already to fill a big book, and I'm only a third of the way through this one.

Philly strings and the voice of Lisa Kekaula on the opener; the eastern strings on Lucky Star; JC Chasez sounding a little surprised at the ferocity of Plug It In; yeah, there's some interesting bits on there...

There's still a load of those fucking Jaxxaludes though - oooh, ten seconds of a weird sample before the song starts! Great! Or, to put it another way, fucking pointless....
 
 
Murray Hamhandler
18:20 / 26.10.03
Not as instantly classic as Rooty, but it's growing on me. It's very...busy. There's a lot going on. It makes me feel a bit dizzy at points. But I'm judging entirely on having listened to it on a shitty car stereo system. I will plug in my headphones and give it a whirl.

Note: "Supersonic" quickly went from being my least favorite ("What the fuck is this?") track on the album to one of my favorites in about two listens.
 
 
Spatula Clarke
11:23 / 24.11.03
I'm not sure about this at all. Even though only a couple of them go over the five minute mark, most of the tracks feel overlong - Right Here's the Spot, for example, starts well enough, but halfway through it I'm wishing it'd hurry up and finish. It just never goes anywhere, and the same applies throughout the album - after thirty seconds of each song you've heard all it has to offer, and it has the effect of making proceedings dull and leaden. If they could have cut about a minute off each track - and they've all got enough flab to be able to do that - they'd have produced a much more focussed, tighter record.
 
 
I'm Rick Jones, bitch
11:46 / 24.11.03
I bought it at the same time as Light and Magic last week and I've been listening to the Ladtron album for most of the time since. It goes better with my winter "miserable cunt" mood I think. It's a good album, though, think I'll give it a try again now I've seen this thread. The Dizzy Ras track is great, the title track less so but still good. Just don't call it electroclash, OK? You'll spoil it for me...
 
 
Regrettable Juvenilia
11:58 / 24.11.03
But can I just talk about how fucking obsessed I am right now with 'Lucky Star'? It's like being beaten up by God. Scratch that, it's like being beaten up by Horus/Dane McGowan. And then fucked by him. That's the chorus, the sex bit. The verses are like the most insane kung-fu/guncarta fights scenes ever. The chorus is like getting head from Kali. Gives me chills ever time.

"I would just like to say I feel fine."

And the drama when the strings first come in, and the scorn when Dizzee says "don't make me larff, whatchu know about havin' no money for a trim?" - yeah you fucking rich kids, don't mess - and the way the sound is all about the treble, all about the high-pitched noises, like someone drilling a hole in yr skull IN A GOOD WAY, and the "jump up, jump up" bit, and the reprise of "round, round, round we go"... YESSSSSS.

"I would just like to say I feel great."
 
 
I'm Rick Jones, bitch
12:06 / 24.11.03
I know what you mean flyboy. It's sort of like the sequel to "Jump and Shout" in a way. The bit where Dizzee fucking SPITS "this better be my lucky star" is fucking great. I love you Jaxx!
 
 
I'm Rick Jones, bitch
12:08 / 24.11.03
Ok so I'm listening to "Plug it in" and OH MY GOD SET SAIL FOR BONERS!!!!!1 This album is great shit.
 
 
Red Cross Iodized Salt
03:59 / 26.11.03
I finally got round to...erm...downloading this, and so far the only tracks that I'm really liking are the ones with Dizzee and Souxie Soux guesting and the one with the Spanish sounding guitar and heavy, heavy kick drum sound. Everthing else is kind of missing the mark...

The real Jaxx gems are often b-sides and obscurities. Check out Bongoloid (from the Romeo 12") and the Adonis remixes they did for Trax. Razocaine is another fave, although it does scare people off the dancefloor from time to time...
 
 
Red Cross Iodized Salt
04:04 / 26.11.03
Ooh, and Span Trak...another must have.
 
 
Regrettable Juvenilia
10:58 / 26.11.03
Woo hoo, got this at last and at a good price. Early thoughts:

'Good Luck' - another attempt to make a new 'I Will Survive' (previous attempts having been made by McAlmont & Butler and the Propellerheads/Shirley Bassey). Come to think of it, the shadow of the Propellerheads hangs over this album (I don't mean this as an entirely bad thing). This track gets exciting at precisely 00:47 seconds, when the little "na na na na" vocals come in. It does make me want to check out The Bellrays, too.

'Right Here's The Spot': the Missiest track ever recorded that doesn't actually feature Missy Elliott? Insanely busy. Bonus points for: the English vernacular ("I fancy you, do you fancy me?"), the little 'Romeo' ref, the Prince 'Delirious' rips, the celebration of dancing: "dance if you want to, if you don't, make your own way home."

That scratched-in vocal near the end of 'Lucky Star': fuck yeah.

If 'Lucky Star' is being beaten up by God, 'Cish Cash' is like being beaten up by Goths. But maybe HOTT Goths, which would be okay - the jury's out on this one.
 
 
Regrettable Juvenilia
11:34 / 05.12.03
I really have to disagree specifically with what Randy said - I don't find that the tracks here drag at all, and several of them suddenly head off in a whole other direction in their last minute - eg the beatbox breakdown near the end of 'Good Luck', or when a similarly slower beat comes in on 'Lucky Star' and suddenly it threatens to turn into 'Without Me' (or maybe I'm the only one who hears that).

I love this album. What the Chemicals' Dig Your Own Hole was to mid-90s indie rock and old Schooly D, this is to current r&b/pop/electro/bootleg-mash-ups... It's just so cool and exciting to listen to 'Plug It In' and realise the Jaxx are almost certainly trying to make music that sounds equal parts Justin Timberlake and Add N 2 (X).

Oh, and the Public Image style wailing on 'Living Room'... Mmmm.
 
  
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