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Okay, calling the Ellis run a 'height' may be overdoing it a bit, but I did feel Ellis really had a nice handle on Constantine as a character: a nasty, sleezy, lying bastard, yes, but fundamentally a sentimental old fool (and vice versa). 'Haunted' was vintage Constantine, playing the horror/crime crossover in the way it should be played (as opposed to Azarello's overplayed whodunnit), and with a nice understanding of the mythos of the London underworld (in both senses of the term).
Carey seems to be warming up now, though, which is good. |
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