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DC No Longer Accepts Unsolicited Submissions

 
 
Mister Six, whom all the girls
15:34 / 20.06.03
From ComiCon's the Pulse 6/19/03


BY HEIDI MACDONALD
An appellate court today upheld a lower court ruling in the case of Marcel Walker vs. DC Comics in favor of the comic publisher.

Walker, a graphic artist, and cartoonist and creator of the self-published Smoking Guns, had sued for unspecified damages for copyright infringement over an Elseworlds springboard he submitted to DC in 1998 entitled "Superman: Last Son of Earth." The premise was that instead of escaping to earth from a doomed Krypton, Superman was instead the sole survivor of Earth. He had even gone so far as to notarize a copy of the springboard, mail it to himself, and keep the unopened envelope. However, the premise was rejected by DC.
Walker was thus shocked when the 2000 Elseworlds miniseries SUPERMAN: LAST SON OF EARTH by Steve Gerber and Doug Wheatley was published with the same premise and title. After consulting legal counsel, he decided to sue, using the submissions guidelines, which DC then gave out to prospective creators, as evidence that his idea was protected. (Neither titles nor concepts are subject to copyright, which explains why there are so many stories about giant robots.)

DC argued, successfully, that Walker could not claim to own the copyright to a story that featured characters that DC held the copyright to. (In addition Gerber had never seen Walker's springboard.) A Pennsylvania court dismissed Walker's suit, but he appealed the decision. Yesterday, the Court of Appeal for the Third Circuit upheld the lower court decision.

Walker had argued that DC's Submissions Guidelines allowed him to use their characters as "fair use." In a non-precedential decision, the judge found that "while there is room to read into the 1998 Guidelines the possibility that DC might read a Superman 'storyboard," it is not possible to interpret them as granting a license to create derivative works or authorization to use DC's copyright-protected material." The judge also found that "fair use" had no application in the case, since it was reserved for "criticism, comment, reporting," etc.

Walker's second argument was that he had copyright protection over the original elements that he had added. However, the judge found that since the "underlying work" was copyrighted by DC, Walker had no protection.

DC has since removed Submission Guidelines from its website, and changed its submission policy: unsolicited submissions are no longer accepted.
 
 
Ray Fawkes
17:11 / 20.06.03
So, because of one pissant (who, exactly, the pissant is would have to be determined by the facts of the case) DC's management is forced ot make a protect-the-money/stay-open-to-new-talent policy decision, and they make the only choice their mandate as a business allows them to.

Of course, this is only bound to increase the gap between prospective artists/writers and the management at DC - the former justifiably feeling shut out, and the latter justifiably feeling threatened. Is there a way to close that gap with respect being paid to both?
 
 
Graeme McMillan
20:54 / 20.06.03
Hasn't this been the case for a couple of years, at least?
 
 
Matthew Fluxington
21:06 / 20.06.03
Comic book company in playing-by-the-conventional-rules-of-respectable-publishing-companies shocker!!!

DC should've made this formal announcement years ago. It's good for everyone - it makes it clear to amateurs that DC is a professional publishing company, it saves some trees, and it helps to avoid lawsuits. Good for them. Smart move.

Why would anyone in their right mind see this is a bad thing?

If you want to break into comics, you do it as a professional.
 
 
Mister Six, whom all the girls
03:42 / 21.06.03
The reason it's bad is that it sends a direct message to prospective writers that they are not wanted. DC will come to you if they want you.

Yeah, this is bad news to people who would want to get in and write for DC. I've been working on a pitch for months and now I can fuck myself.

Must not be in my 'right mind,' right?
 
 
Solitaire Rose as Tom Servo
04:19 / 21.06.03
Well...to be honest, how many people have made it by sending in a story proposal?

It's not really where DC has ever gotten much of its talent.
 
 
sleazenation
08:02 / 21.06.03
There are still ways for new talent to approach the DC editorial, its just not through a submissions guideline anymore. Now a prospective creator has to catch an editor's eye - probably with their own comics work first (which isn't a bad way of proving a comics publishing company that you can, y'know, create comics of sufficient quality) and ask if an editor their would be interested in receiving a pitch. The editor can then decide if he wants you to pitch to him. He may decline, or he may say something along the lines of sure, but anything you send to me becomes property of DC comics.

I think the ways are still open for new talent, just that the entry bar is a little higher now, which isn't necessarily such a bad thing.
 
 
matsya
06:32 / 22.06.03
Comic book company in playing-by-the-conventional-rules-of-respectable-publishing-companies shocker!!!

As far as I know, most publishing companies continue to accept unsolicited manuscripts. The amount of those that they publish is beside the point. I suppose the difference here is that most novel or nonfic or whatever manuscripts that go to a book publisher are wholly-original work, so to speak, that don't use copyrighted entities in their premises.

I still think it's a bit sad. But I don't think the walker guy should be seen as making DC behave in this way. If it was me I would have sued too. The final decision also sounds like legally supportable bullshit.

m.
 
 
houdini
14:16 / 26.06.03

According to a friend of mine working in the book trade in Manhattan there's about a 1% chance that an unsolicited manuscript without the benefit of an agent will be seriously be considered for publication by an editor. Not published. Just looked at by an actual person with the power to decide to turn it into a novel. This is still a hell of a lot better than No Chance At All, which is what you get with DC and pretty much every other comics publisher too these days (Oni, etc -- can't remember if Dark Horse is still an exception to this or not).

As far as the legal case goes and the question of DC "ripping off" the highly original concept of "Last Son Of Earth"... c'mon people, please....

When did this simple one trick pony of inverting a single genre element become so unusual? I bet if we'd asked all the regular 'lith Comics posters to submit 20 ideas for Superman Elseworlds books we would've seen that idea roll by a dozen times. Is it particularly unlikely that Steve Gerber had the same idea as the claimant?

Well, I'd say it's about as unlikely as it is that someone at DC will eventually use my brilliant idea for a Supes Elseworlds book: Superman: Transmetropolis in which it turns out that Lex Luthor, having been rocketed to Earth as an infant is now a tyrranical president, while Clark Kent is the crusading journalist from smalltown USA, flanked by filthy assistants Lana and Lois, come to the big city with only a lump of kryptonite in his pocket and a burning desire to know the Truth....

"Kryptonite bullets." BLAM. "I'm sorry Mr Luthor." BLAM. "It shouldn't've had to end this way."
 
  
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