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Need help identifying a mysterious Ouija Board

 
 
gridley
13:37 / 10.06.03
So, my girlfriend and I bought an old house in December (built around 1890). While cleaning the basement this weekend, she found two old Ouija Boards hidden behind a cabinet.

The first one was pretty easy to identify. It is likely one of William Fuld's late 1930s - early 1940s designs. Really beautiful.

The second one though is so odd that I'm not even positive it's a Ouija board. Similar to a standard ouija board, it has a single row of letters in an arc, underscored by a straight row of numbers. But what's odd is, instead of a "Yes" and a "No" at the top corners, it has images of a horse and a cow. Does that make any sense to anyone? Is that some kind of symbology I don't understand?

Now, perhaps this was just a tool for teaching kids letters and numbers, but the fact that we found it hidden with the other Ouija board makes me pretty convinced. There is also a possibility that the previous owner, who was a multi-faceted artist was creating his own board...

Any help or thoughts anyone could offer would be greatly appreciated.
 
 
Bear
14:07 / 10.06.03
What a nice little story, do you think you could post a picture of the board?

Can't really help about what it means though maybe it is some kind of learning device "Spell Cow" that sort of thing but it's strange that they were both together, as you said.

Maybe you could ask the board??
 
 
gridley
20:32 / 11.06.03
good ideas, both! I'll see if I can't get a picture of it....
 
 
Less searchable M0rd4nt
07:02 / 15.06.03
Keep meaning to reply to this.

I'm sorry, but moving into a new house and finding not one but two ouija boards tucked away IN THE BASEMENT? You're obviously in a made-for-TV horror film and should flee before the bad CGI green mist arrives.

I'm sure you've already tried it, but I thought I'd post a link to this site anyway: Museum of Talking Boards.
 
 
Seth
14:52 / 15.06.03
I'm with MC here. Check to see if your house is:

- built on an old burial ground (check old local maps).

- a quarter of an inch larger on the inside than it is on the outside (check the blueprints).

- decorated with pentagrams and other occult symbols (you may have to strip off the wallpaper and move furniture).

- festooned with pictures of Jeffrey Combs (this should be farily apparent).

- the House of Usher (unlikely).
 
 
The Return Of Rothkoid
13:01 / 16.06.03
Yes: if your house had "located close to tarn" in the realtor's description, I'd worry a little...
 
 
gridley
13:38 / 16.06.03
Thanks, all.

Mordant: the Museum of Talking Boards is indeed an excellent site, but alas no help with the mystery board.

Set: "decorated with pentagrams and other occult symbols (you may have to strip off the wallpaper and move furniture)"

Well.... we've pulled off almost all the wallpaper and nothing there. However, we have removed somewhere around 80 different presumably Catholic icons of one type of another (crucifixes, little medals, little figurines of saints carved out of wood, etc) from the house, leaving just the Virgin Mary in the garden. There were also three bottles of holy water, which we're still not sure what to do with...

Rothkoid: Tarn?

I'll be posting a photo later today....
 
 
The Return Of Rothkoid
14:59 / 16.06.03
Tarn? see here
 
 
Less searchable M0rd4nt
22:19 / 20.06.03
Noooo! First the ouija-boards, now you find and remove the kitsch Catholic iconography? Haven't you ever seen a made-for-TV horror film? You don't remove kitschy-looking religious items from the house! They put that glow-in-the-dark plastic Jesus in the plastered-up alcove for a reason, you know.
 
 
Less searchable M0rd4nt
22:22 / 20.06.03
I think you might still be okay, so long as you don't have a tarn. If it's a black and lurid tarn you're fucked.
 
 
arcboi
00:45 / 21.06.03
I wouldn't worry too much - until you uncover the secret alcove that contains a Ghost In A Jar. Then you're seriously screwed.

The only way to dispose of a Ghost In A Jar is by a precise and specialised ritual (which involves selling it on Ebay).
 
  
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