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"Let's Roll" - or "George Bush's Original Pirate Material"

 
 
Not Here Still
17:11 / 26.05.03
"He speaks at the perfect speed for drum'n'bass - about 181 beats per minute. In the past I've had nightmares getting various singers to fit with the beats, but everything he [Bush] said was on the beat."


Bo! Big up President Bush. He is one crazy muthafucka, and no mistake.

Bush-sampling seems to be the in thing at the moment - but what do you think about such a move?

Is it really cool to have someone like Dubya on your dub? Or does the presence of the President ruin what could be a perfectly good tune?

Really, what I'm asking is: What is the place for political sampling in music?
 
 
Not Here Still
17:21 / 01.06.03
So no-one has anything to say. From Negativland's politcian-baiting collages to Matthew Herbert's anti-corporate album made out of the smashing of televisions and the trampling of Big Macs, from Chris Morris' Bushwhakced collage to Bush himself on a (crap) Johhny L track, no-one cares or can think of anything worthwhile to say about my thread at all.

Ho hum, the second thread where I've started it thinking it would at least get a response, and fuck all happened. I'm losing my edge...
 
 
Jack Fear
19:20 / 01.06.03
Nobody remembers Fresh Bush and the Invisible Man, then?
 
 
Secularius
21:54 / 01.06.03
I remember the Invisible Man. I've got one of his 12"; Skyliner/Power. I heard he totally fried his brain on E's. But who is/was Fresh Bush?
 
 
Jack Fear
00:29 / 02.06.03
No no no no no no no no. I'm talking about a one-off single called "Hard Times," which came out in 1992 on IRS Records; it consisted of George Bush Sr. soundbites cut-and-pasted Chris Morris-style, so the president was saying things like "Surely, Congress doing drugs!" and "I saw Elvis!" over a lite-funk backing. It was very much a silly novelty song, and in a tightly-structured pop-song format—verse, chorus, verse, backup singers and all—rather than a drum&bass / ambient thing.

The single was credited to "Fresh Bush and the Invisible Man." I've never been able to find out who the producer was; the style reminded me of the work of Danny Schechter the News Dissector, who started in Boston radio in the mid-1970s and now heads up the independent media production firm Globalvision and the public interest site MediaChannel.org, but the song really didn't have much more on its mind than big laffs.
 
  
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