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Yeah, 7, but against that you have to consider Grant's style of working, and the fact that he likes to shake it up a bit every now and again. So after doing the Invisibles, which was a very freeform comic book, albeit still with a definite ending, he then did the Filth, which was very precisely plotted and designed, and the X-men run, which he approached like a novel - he knew the entire plot of the run beforehand, and used each individual issue to advance that.
I think it's likely that, after such tight plotting, Morrison wants to go back to the more freewheelin' style of the Invisibles, and sees Aeon as the book on which to do that. God knows, there have been enough Invisibles hints in these two issues: the bald guy on the bus, vv's comments about language and secrets, Jim Judas as this story's Dane McGowan (rebellious kid, nervous breakdown, winds up hanging out with homless guy), even that 'Dane 03' graffito in the Metro station on page 23, panel 5. I think Grant (and Frank) are signalling what sort of title this is going to be. And Grant probably does have the final story arc plotted, but if he extends it he'll just think of new things he can put into the storyline before siccing that final arc (the return of the Nemesis Archon, fairly obviously) on the readership. It's not like the man's ever short of ideas, after all. |
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