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| Many of the Doors songs have a similar tone, particularly "when the music's over", "take it as it comes", "The crystal ship", "the river", and "the end". These may not be explicitly occult, but the tone as well as the enormous level of audience energy channeled at the door's concerts, qualifies as magick in my book. This might be stretching the thread a bit, but for chaos magick practitioners in particular, couldn't jazz, especially the more out there stuff, be considered "chaos music"? after all, its based on a seeming chaos (improv) which conceals a larger order to the soundscape (the chord progressions, if the composer chooses to use chord progression.) |
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