Daniel Cloves? I'll have to do some inspection there... Next week I'm heading back up to get the next Transmetropolitan trade paperback so I'll check then (why do I always get into these comics after their initial run?!?! Ah well, at least with "The Filth" I'm staying current. Then again it is quite a bother to have to wait a month in between each issue. I don't think I could have made it through The Invisibles six year run, thank god The Filth is only 13 issues).
Actually, come to think of it, I'm not that familiar with Morrison's other work besides those two titles. The only other thing of his I have is volume 2 of "Animal Man", which I wasn't too crazy about (mainly because I didn't like the artwork very much). I'm aware of the other stuff he's worked on (Flex Mentallo? Doom Patrol? Arkham Asylum?) but his stuff is very hard to find (I've been unable to find stuff like "Kill Your Boyfriend" or, tragically, his "Lovely Biscuits" book. When the hell is that thing being reprinted?)
And I'm aware that "Miracleman" is one of Moore's major titles, but again, can't find it anywhere.
As for Jack Fear's claim that the impact of the early stories would be lost on me, I don't really think so. I mean, punk happened before I was born but I can imagine the impact it must of had on music (same for those first wave of industrial groups like Throbbing Gristle). I can apply the same attitude to comics, I mean, "V for Vendetta" seems pretty daring considering it came out during the ultraconservative 80's, I mean, recently I've been researching AIDS in the 80's and reading about how some people were proposing concentartion camps for people with AIDS, and then to read a similiar thing in "V", it really struck me. I can see how it would be innovative for it's time period, just like I can see how Hitchcock's/Welles films were innovative at that time.
The main things I look for is good writing and if it moves me emotionally (well, hip dialogue, pop culture references and mind warping stuff is always a plus too, which is why I like Morrison so much, though he has done some stuff that's moved me emotionally). And Moore seems to be a very good storyteller, I like how he often juxtaposes two different scenes and relates through text (or images). It can take awhile to read though, I mean "Watchman pt. 4" took me like half an hour! I'm still getting dates and characters messed up in that one, but I'm sure all will be made clear by the end. I like some of the descriptions in that one: "All we see of the stars are old photographs", for example (I'm paraphrasing).
generally, if a writer can bring a tear to my eye (as I rarely cry) they impress me. With comics it only happened a few times. Like in "Sandman" when Barbie wrote "Wanda" in pink lipstick on Wanda's grave (yeah, that got the waterworks flowing). Or when Matthew the Raven didn't want to leave Dream at the end of "The Kindly Ones". Or in "The Filth" when Ned Slade buried the dead kitten. In "V for Vendatta" I got a little teary eyed when I read Valerie's letter.
Then again, when I was a kid I cried at the end of Jaws and Godzilla, mainly because I felt bad the title characters were killed. I was a stange child... |