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To be honest, I think the music/book disparity isn't because of availability per se - you can just as easily get books as you can music; even moreso now that there's things like Bartleby or whatever - it's possibly because of the amount of time each thing involves.
Put simply, it's easier to digest an album or a song or a symphony. Sure, in the case of a Stockhausen piece, you mightn't "get" what it's about or understand it in great depth by having it on as you're Hoovering, but you can react immediately. Books just aren't like that. Generally, you have to invest a reasonable amount of time to read through them - your entire youth if you end up checking out Infinite Jest, say - and they're not always as immediate as something like music is; often you have to labour through, and like a wine, it's not until you get the aftertaste of completion that you can make a proper judgement about what's just been read.
Perhaps, in these go-go naughties, we're less inclined to give more time to activities that require a bit of dedication to make a go of? That's what I think may be a big factor: people leave work, are fucked off, tired, whatever - they go to a pub or something, hear some tunes in the background and chill out. Personally, I read, but I'm Fucked Up That Way. But I know that at times it takes a fair amount of discipline for me to pick up and soldier on with the novel (so much more to read!) rather than just clicking online to see what's going on in Get Your War On.
Barbelith seems to me to be tending towards the more conversational than the analytical, anyway; look at the size of The Conversation as opposed to some other forum. Unlike political beliefs, too, books aren't necessarily things that people feel gut-level strongly about (the heathens!) so I think it's less likely that conversation about them will flow as freely. I dunno.
And I'll have no more impugning my thread, goddamnit. It is mighty and rocks with fists of steel, fuckya. |
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