quote:Originally posted by Calamity Janey:
You're talking about the semiology of advertising and branding as if it's fundamentally different process from what came before; holding branding up as a new field of meaning that embodies a more densely packed multiplicity of concrete, easily parsed meanings.
Not at all. The historicity of the thing is my point: it's nothing new. It's not this great demon of the 20th C. that it's often made out to be. It's always been with us, but recently we've started to pack more into it.
quote:
As you said: highly contentious. What isn't said? What we don't know about our semiotic selections outweighs what we do know, especially with regards to branding - alien, empty products.
But that doesn't make any sense. Of course you know about your semiotic selection - you're making it, aren't you? And what does "alien, empty products" mean? Sorry, but to me it's just rhetoric. I'm wearing a branded T-shirt at the moment. Is it alien, or empty?
quote:Advertising fills up the semiotic void left by mass production. By contrast, the semiotic richness of an object made by someone you know/knew is more immediate, more obvious.
Only to you, and that's only part of the process. An object empty of brand leaves people who don't know of its origins without a frame of reference, and so it means much less to them.
quote:The discussion is probably quite valuable, but to assume the connotative semiotic difference between, say, Nike and Addidas is immediately available may be a mistake. Could you describe a purely functional object, please?
I'd say it would be pretty impossible for anybody living in the Western world not to have a different concept of each of these products. Ask the people who have the Nike "swoosh" tattooed onto themselves.
Purely functional object: something which is formed for a single purpose (or, possibly, unified purpose). For example: a cup being a cylinder with a base that will hold liquid. The purpose: to hold liquid. No decoration, coloration, glaze, finish, maker's mark, asthetic content, etc. Material chosen purely for function. Historical example: Victorian clay pipes. Found all over the UK, in the ground. No maker's mark, or any pleasing asthetic content. Purely for smoking with, and then discarding. |