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Art technique - woodcut (and other engraving, I guess)

 
 
Ethan Hawke
18:40 / 12.03.03
This sounds really naive asking this - but, do people do "woodcuts" any more, on actual wood? Or do I have to buy linoleum or whatever?

I saw some expressionist woodblock prints this weekend, and I really want to do some. What type of tools, materials, paper, ink, etc. do I need to get started? Any helpful hints? I want to do this on the cheap, it must be said.

Has anyone done anything like this before? I'm sure someone has experience with printmaking.
 
 
The Apple-Picker
19:12 / 12.03.03
Oh yes, Todd, people still do this with actual wood. My roommate did this last year, and I don't think she enjoyed herself very much. I'll drop her a line and ask what all was involved.
 
 
Jack Fear
19:47 / 12.03.03
Some links for supplies of block blanks, carving tools, rollers and inks.

The wood of choice seems to be plank maple (softer, for beginners) or end-cut maple, which is harder and will hold finer detail.

There seem to be three basic tool types—V-gouge, U-gouge, and line—in various sizes and widths. Similar tools are used for linoleum-block carving, but the wood-carving versions are, obviously, more durable (and thus more expensive).

Lots of the web hits I pulled up are in Japanese, which I suppose makes sense.

Myself, I adore the work of Lynd Ward, who was greatly informed by expressionism. He produced many wordless novels, which told their stories entirely in woodcuts—highfalutin comic books, essentially, years before the term "graphic novel" was coined—the most famous of which is Gods' Man (1929).



In his later years, he also wrote and illustrated a number of children's books: I first encountered his work with The Biggest Bear, which won the Caldecott medal. He was working mainly in lithograph by then: The Biggest Bear was printed in a gorgeous sepia monochrome.
 
 
Ethan Hawke
12:01 / 13.03.03
Thanks, Jack - those links are much, much better than what I was finding.

I kind of want to use wood, because (and I'm assuming here) that the quality of the prints made from it will deteriorate quicker, which is kind of what I'm looking for.
 
 
netbanshee
12:52 / 13.03.03
Keep in mind that there's plenty of ink and paper selections that influence the look and feel of the print editions you'll make. It's fun to experiment with pulling prints that have different saturations, registrations, and uses of color as well.

Beyond wood surfaces, you could also consider synthetic sheets from DuPont. I believe it's Lexan but can't be sure at the moment. I used that surface in the studio during a few printmaking classes and had some success with it as it doesn't have grain and can be more forgiving at times.

You might also find that interest in this process will make you curious for other print techniques such as etching and monoprints. Etching is pretty similar to woodcutting except it's on copper sheeting that you inscribe with a stylus. There's also more techniques available to the process so you can go off in different directions. Monoprints are basicall layered painting on a surface you run through a press. It's pretty cool to pull editions with this process 'cause it reveals layers as the ink transfers to the paper. And from here you can start looking at lithography/photolithography...

Don't forget that the substances in printmaking are oftentimes toxic so get yourself some gloves and/or a respirator if you're handling spirits for cleaning...
 
  
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