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100th Window

 
 
The Strobe
11:21 / 11.02.03
Just thought I'd kick off ramblings on the new Massive Attack album if anyone was interested.

I'm really, really enjoying this. It at times seems a bit samey, but that's partly due to coherency, rather than repetiveness. Also, the fact that vocalists were assigned to songs after they were written might have something to do with it.

The easiest way to explain it is that if Protection is a sequel to Blue Lines (more in a similar vein, but also slightly different and progressive), then 100th Window is the sequel to Mezzanine. It is, in many ways, an easier listen that Mezzanine, which is one of the more troubling records I've tried to listen to for reasons I can't quite pin down. There's also a lot more sonic experimentation going on, I feel; Del Naja talked on MTV last night about how the fact that computers are so much more powerful means he can record more live stuff to process rather than being purely digital... and that hangs true; the guitar parts are a logical progression from Mezzanine and there's lots of other interesting stuff going on. And the drum/rythmn programming at times is superb.

Vocalists: Horace Andy's Horace Andy, occasionally processed, but I thought his voice was better fitted into the songs these days. Sinead O'Connor's great: What Your Soul Sings is easily my favourite track at the moment, and she's a really great voice to be used by Del Naja... 3D himself is back to the realms of singing/murmuring rather than rapping, and it's effective if not remarkable.

Points of note? Haven't fully sat down with the lyrics yet; most of them are good, though A Prayer for England is a bit too overtly political for my liking - but that doesn't stop me liking the song. Oh, and the CD is impossible to rip/copy as yet... evil-nasty copy protection going on there. And the final track descends into looped burbling to fill the disc up. Bizarre.

Basically: I'm really impressed. It's a solid addition to the canon and I can almost give them the four years it took to get it out (almost... it still shouldn't have taken that long). I'm interesting to see where they go and where further listens take me. Recommended, anyhow; £9 online I guess or £10 from your local friendly Fopp. Anyone else got anything to say?
 
 
The Return Of Rothkoid
11:48 / 11.02.03
Yeah. What's the tour likely to be? They play here in about three weeks, and I'm tempted to go, but I don't know whether it'll be worth it or not. Any thoughts? Horace Andy is part of the 10-piece touring lineup, though other details are as yet unclear...

I'll probably pick this up later this week.
 
 
The Strobe
14:08 / 11.02.03
Reading (gad) the Wire today, it was pointed out that the record misses the low-end rumble of Daddy G (or for that matter, anybody - see their track with Mos Def, I Against I from the Blade 2 soundtrack, which is awesome). It does. It's all a bit mid-range. Wire also pointed out the rumours that Massive might be collaborating with Waits, which can only be a good thing. Right?
 
 
neuepunk
01:36 / 12.02.03
I picked up the album today. I'm sure I'll have some more thoughts on the music itself fairly soon, although I have been listening to it erratically for the last month (mp3s are a curse and a blessing).

As a note, the US version lacks the annoying copy protection that the european copies have.

Also, check out Massive Attack's new website. It's designed by Hi-Res, the same firm that created the Donnie Darko site.
 
 
Seth
05:22 / 12.02.03
Massive Attack are worth seeing for Horace Andy alone. His warmth and charisma is capable of filling stadiums.

The rest is banal. A band of faceless session musicians head nodding through the set, a guitarist totally unsuited to the music, an unnamed female vocalist trying her best to match Shara Nelson, Nicollette and Liz Frazer, but lacking any of their character. Plus inaudible rapping from stationary MCs.

See them for Horace, and weep when they play Hymn of the Big Wheel.
 
  
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