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The Art of War

 
 
The Return Of Rothkoid
22:17 / 27.01.03
The cells, built in 1938 and reportedly hidden from foreign journalists who visited the makeshift jails on Vallmajor and Saragossa streets, were as inspired by ideas of geometric abstraction and surrealism as they were by avant garde art theories on the psychological properties of colours.

Beds were placed at a 20 degree angle, making them near-impossible to sleep on, and the floors of the 6ft by 3ft cells was scattered with bricks and other geometric blocks to prevent prisoners from walking backwards and forwards, according to the account of Laurencic's trial.

The only option left to prisoners was staring at the walls, which were curved and covered with mind-altering patterns of cubes, squares, straight lines and spirals which utilised tricks of colour, perspective and scale to cause mental confusion and distress.

Lighting effects gave the impression that the dizzying patterns on the wall were moving.


This Guardian piece details the use of art as torture in the Spanish Civil War.

Are there other, similar uses? Would they apply today? Is this much different from propaganda/disinformation? Can they be appreciated, or only abhorred? What is the role of art in wartime?
 
 
8===>Q: alyn
12:22 / 28.01.03
I wonder if this could possibly be the case:

"The creators of such revolutionary and liberating [artistic] languages could never have imagined that they would be so intrinsically linked to repression."

I mean, wouldn't subversive artists understand that means and ends are a mixed bag?

So anyway, no, I don't know what wartime purposes art could be or has been put to other than propaganda, but it seems useful to come up with ways to deal w/it if you should ever find yourself in one of these rooms. Lay face down on the floor? Feign insanity? Chewing tar is good for your teeth, y'know. I wonder if they would be effective in these pomo times -- wouldn't you just try and make a game out of it?
 
 
netbanshee
17:11 / 28.01.03
Insofar as art's place in war, I've only seemed to notice it as a propaganda and revolutionary tool. The story does peek my interest in that psychological damage or effect can emanate from abstraction. I guess if the condition and environment one is in is poor, these techniques probably help to reinforce the devices already at work.

Reminds me on some lesser level of nightmares I used to have (shiver) of the pixel from yars revenge chasing me. My dreams informing me of a fear in a quite abstract but otherwise direct manner.

It does seems that today's art and multimedia could extend the effectiveness of such torture. Providing damaging realtime images, video, and audio from feedback given by the subject might be pretty terrible if you're stuck in front of it.
 
 
gingerbop
18:57 / 28.01.03
WOAH man, that is seriously twiissstted.
 
 
netbanshee
22:57 / 29.01.03
You mean yars revenge or the interactive torture?

Either might not be a bad concept to play with a new media piece...
 
  
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