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Anyone here draw comics when they were kids? If so, what were they like?

 
 
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19:24 / 21.01.03
When I was in grade 7 or so I decided to create my own comic series. I was inspired by the Batman: Animated series TV show (and the comic tie-in). So I decided to create my own superhero. His name was Cowboy.

Cowboy dressed in black clothes, black cape, black boots, a black cowboy hat, and a black mask that covered his face completely (except his eyes, which were white and pupil-less). A gold badge was pinned to his chest. His prowling ground was Crime City, the "most corrupt city in America" (well, with a name like that...). He was actually a millionaire playboy named Zero Zorro (this ridiculous name was later changed to Bob Jordan). He had a loyal butler named Gorfly, a sidekick called Indian (you can guess his costume) and a secret cave under his mansion called "The Crime Cave". He drove a "Cowmobile" and used weapons like "Cowarangs" (which were boomerangs with little spiked cowboy hat shapes). He never killed, and worked closly with the police Commissioner Woodsworth. Yes, Cowboy was a batman rip-off (though their secret origins were different: Actually I never got around to exactly explaining why Jordan dressed like a cowboy to fight crime). There was supposed to be a Catwomanesqe love interest named "Calf-Woman" but fortunetly I never got around to introducing her character.

The villians included such fiends like The Artist (a man who wore an easel around his face), Boardgame (a man who wore a dice mask on his head and broke out of asylums using get out of jail free cards), The Witch (a green-skinned witch who was actually quite sexy and had occult powers), The Phantom (a gigantic green monster costume wearing a fedora and a trenchcoat operated by a psychotic geeky knome scientist who hid inside) and Hammerhead (the series Joker, a former college professor who thought he was a Death God). There were many others too, like Black Widow, Half & Half (a two-face knock-off) and in addition Cowboy often fought Dragons, which seemed to plague Crime City on a daily basis.

I did about 23 issues of Cowboy, split into 3 volumes. Volume one (The Cowboy Adventures) was 14 issues, volume 2 (The adventures of Cowboy) was about 6 issues, and volume 3 (Cowboy: The adventures) was 3 issues. Recently I was planning on a 12 issue Volume 4 to complete the series (not to mention reveal once and for all Cowboy's origins) and kill off the character, but I'm too busy with other more pressing projects.

Anyway, the early issues were very crude (all 23 were black and white) but around volume 2 or so the artwork improved and by volume 3 they actually looked kind of decent. I'm not the world's best artist but I was a member of my school's advanced art program so I'm not totally talentless. I'm better at drawing odd creatures rather then people (which was why all of the characters in Volume 1 were nose-less, had bugeyes at the top of their heads and looked more like Fraggles). The covers (complete with price in America & Canada, and the date) were usually colored. Most of the issues were 24 pages long and I also threw in advertisement pages that I saw in other comics and a letter page, where I had fake people write in letters to the comic. Most of these fake people seemed to have an aversion to the comic and they usually bitched about how bad the artwork was (I, assuming the role of editor, usually told them to "walk off a cliff" or "suck a lemon"). There was also a fan-art page where fans would send in cowboy-related artwork, in which I tried hard to create different drawing styles, so it would look like other people had sent them in.

I guess I had a lot of time on my hands at that stage of my life...
 
 
Sunny
20:33 / 21.01.03
wow, thats impressive. me, I was more of a character creator, never really got to actually making a complete comic. when I was younger, even then I could see that the characters sucked as well as the stories, so me and my brother made our own. I've let go of a couple of characters and evolved some and all that written a lot of notes but I still haven't gotten to actually writing a script. eventually I will though.
so, are you working on new stuff now sypha nadon?
 
 
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20:45 / 21.01.03
Nah, I never really developed my drawing skills after high school. These days I pretty much just write or work on electronic music (I hope to be a writer one day).

Still, I recall having a fun time doing those comics years ago but oddly enough I didn't think of them as ripped-off crap at the time (course I was younger then). I should have said most of the stories were fairly silly (Cowboy saves Crime City from a dragon attack! Cowboy stops the Artist from robbing artwork! Cowboy stops the boardgame from stealing boardgames, etc.)
 
 
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20:47 / 21.01.03
Of course, were I ever given the option to write a comic series, I'd be lying if I said I wouldn't jump at the chance.
 
 
Aertho
20:48 / 21.01.03
I atempted a kind of graphic novel in my junior and senior that never actually materialized, but the story developed in my head quickly and strangely. Initially, I had wanted to explore the idea of complete imaginative originality. That eventually became a joke, as I found myself creating centaurs, androids, police-knights, magician academies, energy-powered mutants, and Crystals Of Power.

It was actually a story of self-examination through archetypal symbology. I suppose all stories are that in some ways, but mine incorporated nearly everything I had ever seen, heard, read, and dreamt.

It started as a quiet story about a mysterious but powerful shapehifter-cum-mage(me) wandering into an idyllic harbor town. The daytime police-knight(my friend Kevin) is attacked in the forest outside of town by a shadow-creature, and is rescued by my character and taken to the nearest home -a mansion owned by the town's Bruce Wayne heiress woman(my friend Alice) who recognizes my armor as resembling weaponry from over five hundred years prior.

The town's Coolest-Chick-Ever innkeeper(my friend Bridgett) also recieves word from the town's nighttime police-knight(my friend Jill) that a local police-knight who had been promoted to royal guard(my friend Terri) was flying in on her dragon with the planetary Empress(my friend Dannett). The Empress needed to be hidden while the Northern Lands were purged of some mysterious "enemy". Meanwhile, a student magician(my friend Maura) arrives in town to retrieve a book held in trust by the town heiress.

All characters thus far, including a Geo-Force™ or Terra™ knockoff blacksmith(my friend Eric) go to a dinner party hosted by Alice's character, so that they can work together to prevent the secret of the Empress's safekeeping from leaking. That proves pointless as a technology ninja-monk(my friend Pat) bursts in on the party, demanding that the Empress marry him immediately, or thousands will die. Seconds later, an asteroid crashes in the heiress's backyard, which proves to be a highly sophisticated, alienly futuristic, Xorn-like healer elf(my friend Jennifer)'s jettisoned shuttle. She says she just wants to learn about the Lowlands. The heiress tires to sotp the insanity, but the entier house becomes overrun with shadow creatures -actually vampires. The fleet of characters now assembled fends them off, only to discover that the heiress is precognitive, and not tattooed -as all mutants are in this story's world.

Over time, characters succumb to the shadow vampire creatures, and change into shapeshifters of their own kind. This prompts the magician student to try to summon magickal reinforcements, but is stopped by the astral manifestation of the High Priestess Of The Light™(my unnattainable-desire and forever-idol-of-perfection Anna), who says she'll be there the next day to destroy the Evil. Jesus, was I lame.

Truths come out: The secret enemy that needed to be purged is the shadow-vampires, who like-a-plague, need to be purged every couple of hundred years.
The Empress is actually a highly sophisticated bio-droid who is electromagnetically tied to the planet's EM field, but she's a vampire by now anyway- so protection proved pointless.
The techno-monk is actually one in a series Nazi-esque uber-mensch who are designed by their "religion" to fight free-for-all gladiator style to see which was the most fit to survive and father a super-race. By marrying the Empress, the monk hoped to use his new power to abolish the "religion" and save his brothers.
The student magician is trumped in power and learns True Strength™ by the innkeeper, who, by knowing the right word at the right time, stopped global annihilation.
The alien elf is actually one of a population of elves and Geo-Force types who live on an massive orbitting continent. The geo-synchronous orbit is over another surface-level continent, called the Shadowlands, where the shadowvamps always end up hiding.
My character, the mysterious-shapeshifter-warrior-that-is-not-a-vamp, is actually a ghostlike energy creature that happens when a person rebels against the turning-into-a-vamp process. My character was also responsible for winning the last purge over five hundred years ago, by exploding. In trust, I empowered another vamp-rebel, a beautiful warrior girl, to protect the world after I left. Over five hundred years, she became a shapeshifting High Priestess.
My character realizes somehow and for some reason that only by becoming a vampire totally can he defeat the High Priestess -who knows all about EVERYTHING, and wants to remain The High Priestess(so I have to be killed).
Climax: In the heat of Phoenix-versus-Necrom battle I pull off the High Priestess's mask, to see a feminized version of my character's facepaint. She smiles(?) and pulls off my whole face, revealing light underneath. I explode again, taking all my original power back, and leaving her a simple warrior again. The town is rebuilt, and the world is forever changed: darker, less innocent, and a hell of lot more interesting.

Yeesh. I'm glad I never wrote it. I am glad I worked through the story though... It's a goddamn psych term paper. It had absolutely nothing to do with originality, but everything to do with me and my relationships with women/girls, established institutions, those-with-roles-I-identify-with, and my own ego.
 
 
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21:04 / 21.01.03
And I thought writing a story about a supervillian wearing a dice on his head stealing toys before Christmas so kids would be forced to play with boardgames was a strange idea.

I wouldn't sweat it Chesed, I put myself in most of my stories anyway (usually under the fiction-suit guise of Sypha Nadon) and Sypha usually has sex with hot guys. Sadly while most of the things I write about somehow magically manifest in reality sooner or later (which I intend to happen anyway)this hasn't actually happened yet.
 
 
dlotemp
22:31 / 21.01.03
In high school, I was involved with a semi-formal competition with a friend to write and draw our own humor comics. We'd work on them throughout the day and attempt a bizarre one-up-manship every 3 periods or so. Whereas he had a single group of heroes called the Y-Men...yes, yes...start smirking....I had the strange fortune of having 2 distinct groups of characters: the Fantastic Farce and the Cabbage Patch Killers.

The Fantastic Farce consisted of a Wolverine spoof called the Skunk who was the best at what he did (farting), a Frankenstein monster spoof based on my friend/competitor, a talking bear whose superpower was flashing other people, and then a version of myself who was a wimp but was aided by a symbiotic baseball cap. The group was eventually rounded out by a regular hero called Dreadnaught, who coincidently wore a fedora and black trenchcoat like Sypha's character, the Jean Grey Phoenix, and the evil god Hastur, from the Cthulu mythos.

The Cabbage Patch Killers were a group of elite military men who were fighting a terrible war against the evil Cabbage Patch dolls. They were very popular in my high school for some reason. Max was the smart leader whose family was killed by the dolls. Crazy Harold was the explosives expert driven mad by the prices of the dolls. There was an assasin, whose name I forget, that failed to kill the Doll's creator. Yoshiro was a ninja because you had to have a ninja. The last member was Cy the Cyborg who was mutilated by the dolls and swore revenge.

Ahhh good times....

Won't bore anyone with the details but I was able to polish off about 12 issues and an annual over the course of 2 and a half years. The first few issues was a Secret Wars spoof called the Care Bears/Cabbage Patch War. The heroes were brought together by a mysterious being called the Inwarder and told to fight the evil dolls plaguing the world. Eventually the Inwarder became a sometime member, along with his nutty cousin Larry. Other villains include the Krell, an alien race with the terrible power to answer the phone without picking up the receiver, the Devil and various hero spoofs.

It was all black and white...okay, mostly white...cause I didn't get the hang of postive/negative space for a few more years. Eventually, I discovered indy books like Hate and Love and Rockets in 1991 and I shifted my focus to stories featuring cartoon versions of my friends. By this time, I'd discovered brushes and india ink and Bristol board, so I was using black and negative space more. Favorite story is the one where a friend, Marc, is worried that he's going bald, visits a witch to get a hair growth formula, and accidently grows a Chi-Head full of ivy; the formula was actually plant growth.....natch.

Still, pick up the pen and ink occassionally and actually contributed a Shifter story to the Collective Comics Project over on the Creation board.
 
 
Solitaire Rose as Tom Servo
04:18 / 22.01.03
I had two different "comic creation" stages. As a grade schooler, I drew the adventures of "Strong Teddy" who was an ordinary Teddy Bear who would become a super-hero whenever no one was around. They were very plagarized "villian will take over the world" stuff, but it's odd how Kirby-ish they were. My drawing was VERY limited, since I could only draw him head on, and my people looked exactly the same with smaller ears.

The second was in my teenage years when I created a VERY complex super-hero universe that we used for gaming, as well as a lot of fiction that I wrote. It was kind of a "Teen Titans/X-Men" type of universe with a lot of the standard super-hero devices...even got picked up for a series when I condenced it down into a pitch by Solson. I didn't draw a damn thing, because I had given up drawing by then. I still like a lot of the basic ideas in it, spun a character out for a series of novels I hope to get published someday, and would actually like to RPG in that world some more.

Ideas in it I loved:

- A devout Catholic teenage superhero who marries his girlfriend at 19 and struggles with being married so young, and his belief system when confronted by standard comic book cosmic entities

- A hero who uses the discovery of his secret identity to create a marketing plan and lives off the proceeds.

- An alien invasion that not only succeeded, but is the reason the Cold War ended (they replaced world leaders and stopped the arms race)

- Super-heroes all started showing up at once because there were "cosmic forces" who were going to use them in a very complex reality war

-Government agencies using super-heroes as "weapons of mass destruction".

It's all been done better by others since, but I really had fun tossing in odd little subplots to see where they would end up.
 
 
The Natural Way
08:11 / 22.01.03
Weird: My comics featured the adventures of Wonder G, as he battled the forces of evil in the shape of The Hand, Top Hat, Master of Fat, The Owls and The Dragon's Lair. There were other, even weirder villains, but fucked if I can remember them.

I used to draw another strip entitled "Superheroes Get to the Moon", about the various different techniques superheroes would use to get to the moon. Spider man catapulted himself up there using his webbing and a very high building.
 
 
yawn - thing's buddy
12:13 / 22.01.03
When I was 5 I did a 2000 AD style comic with the further adventures of Claw Carver (from Flesh), Dan Dare, Judge Dredd and Shako (a polar bear who swallowed a nuke!). This was padded out with a cross section of a bionic man (copied from my elder brother's design which he sent to Jim'll Fix It and said, 'Please Build')and actual ripped out pages of stories from Warlord.

As a free gift there was a wallet which had rotating dials which, when aligned properly, would give you important information.
 
 
rizla mission
15:49 / 22.01.03
I used to do LOADS of comics in school.. (in fact, it was because of them that I first thought, hang on, maybe I should try reading some comics?)

One of the first one's a remember - at this stage they were more like big scenes of chaotic carnage with occasional speech bubbles than narrative comics - was about London being overrun by murderous midget druids armed with guns, chainsaws, tanks etc. Actually, I think I'd be extremely worried for the mental health of any child who obsessively drew that kind of thing.. except that, er, I did.

Then a few years later, around the time the X Files was first on TV I starting doing this thing in an old exercise book in French lessons based around this Fox Mulder type investigator who was a psychotic lunatic, and each page would be a 'case' like, well, I can't think of any examples, but my main aim was to amuse my friends, so I stole a lot of jokes wholsale from Monty Python and Reeves & Mortimer and so on.. I've got whole books of this stuff, and stories gradually developed featuring a regular cast of characters, such as Satan and The Blabbering Indian (not the most PC of characters - he was based on that episode of the X Files with the Navaho medicine man who drones on and on..). I remember there was a running joke about Rasputin being chased everywhere by a monk who wanted to marry him..

And then a little while after that I started my best remembered and never finished epic - THE CHRONICLES of BOB OTTERBAITER. Surprisngly, it's still really funny. I showed it to some friends last year and we laughed hysterically..
It's about Bob Otterbaiter, a wealthy heir to the Otterbaiter family estate, who's walking through the grounds one day when a walrus riding a dinosaur leaps through a temporal vortex and attacks him. Hiding in the bushes he meets Roderick the Psychic Rat, and after months of jedi training, he uses his new powers to defeat the dinosaur by making it's loop of henle (a part of the kidney - I did this bit in a Biology lesson) spontaneously combust. The story then continued as Bob got involved in the World Walrus War, making friends with such characters as Dr. "Fleshhooks" McFrenzy, The Vicious Insane Bastard of Ipswitch, The Big 'T' and (special guest star!) Brian Blessed along the way. Following this, there was a spoof of Lovecraft's 'The Case of Charles Dexter Ward' where Bob returns home and accidentally re-awakens the spirit of his evil grandfather. I got to draw some really cool pictures of flaming torch weilding villagers fighting tentacled beasts. Then there was another story about W.I.T.C.H (the Womens International Terrorist Conspiracy from Hell) attempting to bring about the end of the world by stealing the Necronomicon.. everything was very much influenced by Lovecraft and Robert Rankin by this point..
 
 
Our Lady of The Two Towers
16:03 / 22.01.03
I had a pin up board in my room so did lots of comics to cover that, changing them every week or fortnight or so. The strips were basic rip-off's of whatever comics I was reading at the time, so there was the Transformers rip-off, the Action Force rip-off, the rip-off based on the one page advert for Dragons Claw, the Deaths Head rip-off. The stories would all start with what was for me my best artwork, then quickly slip downhill as I got towards the end and wanted to finish it.

Favourite themes? When I wasn't ripping the story off something as well it was normally mind-control and insanity.

I think I was just getting the hang of depth (in my artwork, not the stories) when I gave up, which would have probably been around my entry into teenagedom.
 
 
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16:55 / 22.01.03
Wow, these are all great! Thank you for sharing.

The first thing I ever drew was a bloodshot eyeball. Since then I've had an obsession with drawing eyeballs for some reason, which explains why most of the characters in Cowboy had large eyes.
 
 
Ethan Van Sciver
22:29 / 22.01.03
I had two comics when I was 13. Neither made sense. One was called EMMA, and she was a 90 year old prostitute who had strange adventures. I seem to remember she stole the Space shuttle and flew it to the moon to seek out business. It was for the other kids in the 8th grade.

The other was called YOFF, and he was a strange, beaked kid with big ears. He was a goody goody nosepicker. (But he has a beak. So I don't know how that would work in reality) He's in NEW X-MEN #117 on the tshirt of one of the girls walking around the hallways, and Beak is sort of based on him.
 
 
Jack Fear
14:11 / 23.01.03
My comics tended to be derivative, but from sort of a sideways angle. I rarely drew any characters with which I was really familiar, but I would take inspiration from the lore and history of comics: I had a comics trivia quiz book that referenced all these comics from the 1930s on up—comics I had never in fact read—and I would latch onto a title, a name, maybe a single image, and riff from there.

I remember drawing a THUNDER Agents story without actually knowing anything about the characters except their names—making up my own version of what a character called Raven or Menthor or Lightning should look like, and what hir powers should be. I gave Menthor temperature-controlling powers, as I recall, because the th sound in the name, to my mind, evoked words like thermal. Kids are weird.

I'd riff a lot from advertisements for comics, movies, and TV shows, too. When I read recently that Osamu Tezuka was inspired to create his manga METROPOLIS after seeing a poster for Fritz Lang's film of the same name, without ever actually seeing the movie itself, I felt an affinity.

I only produced a few complete works, though: I'd just draw fragments, the highlights—the big climactic action sequences.

I don't think I did any sequential art after the age of about ten, although I would draw character portraits. I didn't draw comics again—and never produced any completed works ever—until I was in college, when I drew a year's worth of a daily comic strip for the school paper; and the only reason I ended up doing that was that my co-writer was even worse artist than I am.
 
 
Sax
07:36 / 24.01.03
God, I had a whole phalanx of derivative characters I used to write and draw full sweeping epics for.

There was THE UNTOUCHABLE, who was dressed all in black and fought gangsters in Prohibition-era Chicago.

THE SENTINEL, a typical normal-guy-finds-crashed-spaceship-and-puts-on-uniform-which-gives-him-super-powers tale. He ended up working for the United Nations taking out tyrannical regimes.

GIZMO was an astronaut who crashed on a strange planet and was turned into a cyborg by a race with odd ideas about human biology.

I even planned a big Crisis-style crossover but then discovered masturbation and the project never really took off.
 
 
ORQWITH
20:47 / 01.02.03
in junior high my friend and i each had our own "company". mine was "lightning comics". neither of us could draw, and the comics were all drawn on looseleaf paper stapled together. no copies were made, each issue was passed around among our circle and we would compete to see who had the best comics. my "flagship title" was "the idiots" a superhero team parody. characters were
super stickman- shape changing stick figure
capt. steamroller- guy with steamroller for legs, ran bad guys over
pez man- guy who tilted his head back and fired deadly pez from his neck.
i can't remember much else except that when i read them years later i was quite embarassed at how bad they were.
 
 
Brigade du jour
21:15 / 01.02.03
Okay, the time has come to admit my own comicbook-related habit before, like, you know, you read about it in the papers.

I created a whole universe of superheroes when I was about ten, with a primary school friend of mine called David Brown (neither the BBC floor manager nor the producer of Jaws. He did have a brother called James, though).

We had a big poster of all of them on the wall in our classroom. They were basically inexpensive rip-offs of existing Marvel, DC etc. guys and gals. It was fun, though.

But the funny thing was when I was about eighteen I came back to them and actually made up entire life stories, a la Marvel Universe Handbook for each of them.

I can't remember which ones were really good ideas, so how bout here's the really funny silly ones.

Diamond Head - lab assisant or whatever fell into a vat of melted diamond or something, thereby accessing some unknown component in his DNA and triggering a body-wide mutation that caused him to grow impenetrable, diamond-like translucent encrustation over his epidermis. Then he put a pair of blue pants on and fought crime.

Aquavenger (name courtesy of my friend David, credit where it's due) - mysterious but human-looking mutant-type-guy who lived in the sea and saved Tokyo from a megatsunami, then disappeared, frightened off by press attention.

Jungle Girl - raised in the jungle from infancy despite nice middle-class English birth. Real name was not, however, 'Tarzana'. Copyright and all that.

Acroman - Olympic-level gymnast and acrobat who fought crime when not touring with his family travelling circus. Sort of a cross between Robin the Boy Wonder and Spider-Man. Crucially though, and bearing in mind the element of Britishness I tried to infuse my characters with, his real name was Dave.

Bastard - wasn't sure I could get away with the name in kids' comic books, but this guy was a huge, light reddish-skinned git with grossly overdeveloped musculature who was basically a genetic experiment gone awry. Yep you guessed it, The Pink Hulk.

In retrospect, I'm glad I tried to throw in a few satirical elements because nobody would have taken this shit seriously.

Well, that's some of the best ones. Maybe I'll dig out my old sketches and put a few more on tomorrow. But only if anybody replies asking me to. Otherwise I can't be bothered, it's too embarrassing!
 
 
Nelson Evergreen
22:10 / 01.02.03
Heh. Heh heh. I've just dug out a crumbling copy of 'The Fantasy File'. We must have been thirteen or so at the time; Wee Willy Hall, armed only with bad draughtsmanship and acres of letratone, Mad Mark Franks, genius bard of the Rotring pen, and me, somewhere in the middle. Plus three of our nerd mates, who didn't actually do anything but somehow wangled their way into the photo which accompanied the Wrexham Leader write-up ("Boys draw on their imagination") about our little comic.

It was a school thing. Our school paid for it to be printed anyway, and very nicely printed it was too, so much so that Bookland(!) agreed to stock it. The stories are quite stunningly shit. One of my strips was a two pager about a miserable old man in a village in 1941, who refuses to take evacuee kids under his roof because, well, he hates kids. Next thing, this small spherical thing bounces into his garden, and a "you can't have your bloody ball back" situation ensues. Old man takes ball prisoner. Ball hatches. Grotesque little alien pops out, looks at him, says "Daddy". Old man suitably horrified. Fin.

My second strip ended with, erm, a grotesque little alien emerging from the head of a felled robot yeti, while the third cleverly subverted the formula by not closing with an alien emerging from something, instead being a gloriously cack handed thriller about black magic, druids and hidden caves in Scotland. I can still bear to look at the artwork, though; at least it's better than Willy Hall's stuff (uniformly bad apart from the panels he'd obviously 'adapted' from whatever Fighting Fantasy book he was reading at the time), though not a patch on Mark Franks' still amazing illustrations (bearing in mind our age at the time: Bastard!)

After this I read Lord of The Rings and spent the next three years plotting, mapping and sketching out my own epic sequential art fantasy masterpiece. Managed about a dozen pages in the end, which I haven't seen in years, but seemed at the time like some sort of creative "blossoming"... there was a complex chase sequence, difficult angles, horses, helmets, death beams. Those were the days. Forging a meaningful relationship with the outside world and its inhabitants could wait. And christ, did it ever. But I'm fine now, thanks.
 
 
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19:32 / 03.02.03
I think that "Pezman" and the pink Hulk are classic.
 
 
SevenRedBlurs
19:15 / 04.02.03
The first comic I remember doing was about a dinosaur who the government sent to the moon, I was about 6. I offered no explanations why it was a dinosaur, and why he had to go to the moon. NASA was just hell bent on doing it. As most things written by a 6yr old, it was completely insane. I may actually revisit this sometime.

Then I did a series on the solar system, with big pastels, I was around 7 or 8. At the same time I did a series on a man chasing exotic birds.

The first comic I sold wasn’t really even a comic. It was more of a pinup book of about forty characters I created. Most were anthropomorphic characters. Brilliant names like KANGAROO MAN and FROG MAN(who wore SCUBA gear, gah.)

Then a really sad phase in my comic book writing, the “I can do better than Image” phase.

If you can think of an image character, I mostly likely ripped it off. I half realized it at the time, I was reworking designs here and there. But it was so derivative looking back on it now, it makes me cringe.

My favourite character from this phase was a giant anthropomorphic rabbit whose adventures were eerily similar to Savage Dragon. I forget his name now.

I had SFX that was a government trained group of three who had different suits of robotic armour and, well, killed for no good reason. They were akin to the most hardcore CIA assassins, except they also blew a lot of shit up. It was a really pessimistic book and I sometimes wonder what was going on in my mind around the age of 13 to 14.

All my comics had solicitations for other comics that, in true image style, I never got round to doing. I sold a few subscriptions to friends and family that I never fulfilled. I got really bored with super-heroes.

Then I entered my next phase which was inadvertently ripping off things I had never read. These ideas all came from PREVIEWS issues I would buy as a kid, what better way to get hundreds of stories for 3 bucks and maybe a couple nude pictures too.

So there was a cerebus rip-off, but in my version it was a pig who fought robots. And his name was RUBLIGUS. In this case I honestly didn’t realize I was ripping off cerebus, but I see now what hours of rereading solicitations for Cerebus and Magnus did to my brain. The pig thing was a actually a pretty dark epic about incest, fathers killing sons, rightful heirs to the throne and of course giant Robots.

The things that lasted since I Was kid were some bloom county-ish strips I did. A lot of humor stuff. A lot of dark sandman type stuff, a lot of horror anthologies that would fluctuate between comics and written word.

I did a lot, a whole lot of Apocalypse stories. Usually revolving around the solitary hero roaming the landscape. By a lot I mean, 20 to 30. I think only ever finished 3 or 4 though. I usually got about 6 pages in and forgot about it.

Stuff started changing around 16 though, I stopped drawing and concentrated on writing and I hope I got over my hack phase.
 
 
Baz Auckland
14:14 / 05.02.03
I think I stopped drawing cartoons around age 13. My characters included a squiggled creature named Moses I created at age 4 or so, a loch ness monster that was always eating my school, a blue camel with red polka dots, and Ostrich Man.

I actually drew one issue of Ostrich Man at age 8. Thankfully I still have it. I doesn't make a lot of sense, and I ripped off Electro from Spider Man to be the villan, but it's quite cute though.
 
 
8===>Q: alyn
19:47 / 05.02.03
My friend, let's call him Geoffrey, wrote and drew a long series called the Humanoid Atomic Samurai Squirrels. The inspiration should be obvious. I did a follow-up, next-generation kind of thing. I was a big ripoff artist when I was a kid -- I exploited the good ideas of others.
 
 
Brigade du jour
21:46 / 10.02.03
You know what? I think reading all this stuff has inspired me to start doing comics again. Big thank you to everyone who replied to this thread.

Might come up with better character first, though ...

Mind you, Diamond Head still rocks ...

Maybe not ...

Enough with the three-dots! ...
 
 
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03:22 / 11.02.03
bring back Bastard!
 
 
Brigade du jour
04:00 / 11.02.03
Okay okay I will.

He had a Mohican, did I mention that?
 
 
Brigade du jour
04:05 / 11.02.03
Hey I just remembered. When I was nine I created a character called Starman, who like had the power of a star or whatever, and then that movie with Jeff Bridges came out and ripped off the name! I was so artistically outraged it's not even true.

Mind you, then I found out about the bloke that was in the Justice League of America. Poo.
 
 
NotBlue
21:49 / 11.02.03
No story to speak of, just lots of spaceships.

All my teachers told me they were shit.

So I took to drawing them with rulers to make the lines straight.

It didn't help. Let's hear it for the the talent smothering culture of the West of Scotland, I've known nowhere worse.

Crushing creativity and hunting in packs.



Cunts.
 
  
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