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The Mason Lang Theory

 
 
dj kali_ma
07:31 / 09.01.03
I'm not sure what the etiquette of this is, but it's late here in Minneapolis (0331hrs) and I can just plea insomnia if it's a problem and lash myself a hundred times if it's really a problem, and...

Anyway. I posted this in my LiveJournal and thought maybe somebody here might be amused by it.

***

Just saw Minority Report for the first time.

The following conclusions have come to mind:

1.) I will be reading more Philip K. Motherfucking Dick in the very fucking forseeable future, you bet your bippy.

2.) It's quite possible that I might have had too much nutmeg in my steamed milk thingie I drank at work earlier. I think I'm trippin' small balls.

3.) That one guy looks like Abbie Hoffman, and I don't think it was completely an accident.

***

In The Invisibles by Grant Morrison, there is a character named Mason Lang who's a Bruce Wayne-like megamillionaire who went through an alien abduction and had an experience of drinking "liquid software" from a grail. Inevitably this apparently fucks up his mind so that he's aware of the constant anarchic subtext within every film. He thinks of Speed as being about the documentation of human evolution, and, uh... some other shit. I'm obviously explaining it all wrong.

Anyway, the way Grant goes on about it, it's mostly in huge Hollywood blockbusters. I'm sure that if Mason were to watch some po-faced foreign filmage, he'd probably get another kind of subtext, but the best carriers of subversive subtext would have to be huge Hollywood big-budget eyecandy... Mason considered that the films were other groups of Invisibles talking to one another. And what better way than to use a medium that would be:

a.) Seen by many, but "really understood" by the select few,
b.) Completely unscanned by those who can't understand, but would have said subversive ideas implanted in their subconscious minds,
c.) Able to be partially picked up by the "in-betweeners" (who could sense the subtext, but are too embarrassed to even conjecture about this deep cabalistic conspiracy shit) and prod them into subversive, creative, and possibly even sympathetic schools of thought.

This is another level of "meta" that I'm now just beginning to become aware of. And, of course, this awareness comes right at the time when Hollywood's deciding to moneyshot us to death with a bunch of really cool 21st century visions of the future... and of "fantasy".

In short, if there are Invisibles talking to one another via blockbuster movies, it's getting loud enough so that even half-aware schlumps like myself are beginning to be able to receive the signal.

I do think I ingested too much nutmeg, alas.

::aphonia::
 
 
gridley
17:30 / 09.01.03
So what particular messages did you draw from Minority Report, aphonia?

I'm curious, because despite being a PDK fan, I came away just having experienced a good action film. Too little subtext for my tastes, but I may have missed it.

(I'd love to see some indie director do a straight film translation of PDK's The Transmigration of Timothy Archer. now that would be subversive.... I think I might kill for that... yes, I probably would.)
 
 
Our Lady of The Two Towers
10:43 / 10.01.03
The thing about Mason's theory was that his example, Speed, wasn't a particularly good one. If you take the evolution idea as true, which is a great idea to play with, it's not as if Invisibles are the only people in the world that believe in evolution despite what the Kansas school board think. So is it really an 'invisible' film? Surely invisible films would be about 'reality as game', 'breaking down ideas of duality' and so on. Otherwise you might as well say that The Matrix is an Invisible movie, not because of the real world idea but because Keanu kills a lot of people, which is something that unenlightened Invisibles have to do.
 
 
Elijah, Freelance Rabbi
22:40 / 11.01.03
at the point in the series where we are given masons theory on speed, the comic seems to be evolutionary and good vs bad, the life-as-game didnt come in till later i think...
 
 
000
12:58 / 12.01.03
Oh, which reminds me of watching Jurassic Park: The Lost World a month ago. I was reading a book about Occult symbolism in art at the same time and noticed that the ship at the end of the movie had a peculiar symbol: *, no, oh wait, this isn't the same sixpointed entity as the one on the keyboard. It was one of the symbols, I bet, later attributed to Jesus Christ.

Anyway, that, and the T. Rex underneath it.
 
 
Char Aina
13:25 / 12.01.03
it's not as if Invisibles are the only people in the world that believe in evolution

yeah, but i thought that was the overlying ubertext, the idea that we need a evolutionary jump, but a mental one. one that we were not entirely expecting. i felt that the book was supposed to trigger an evolution of the counterculture, or the wierdos union, or whoever 'got it' along with us.
 
 
The Falcon
17:58 / 12.01.03
And it's, like, subtext. Which is, like, not immediately visible and open to interpretation.

The other example was 'Pulp Fiction', and there aren't any briefcases with souls in them in the comic, either.

I like the theory - now I must think of examples.
 
 
Char Aina
01:27 / 13.01.03
(i know what subtext is, i was exagerating how obvious i thought the theme of evolution was. disregard, of course, if you arent talking to me.)
 
 
rizla mission
10:10 / 13.01.03
I'm curious, because despite being a PDK fan, I came away just having experienced a good action film. Too little subtext for my tastes, but I may have missed it.

Despite (or possibly because of) being a PKD fan, I came away just having experienced a really shitty film.. funny that..

Long, long ago somebody around here had a theory about how Mary Poppins was an 'invisible' movie, and it was a damn good theory too..
 
 
The Natural Way
11:26 / 13.01.03
A spoon full of sugar helps the medicine go down.
 
 
yawn - thing's buddy
12:23 / 13.01.03
Duncan Falconer said:

The other example was 'Pulp Fiction', and there aren't any briefcases with souls in them in the comic, either.

Yawn says:

But we do have a tesco's bag with 'stuff' in it.
 
 
_pin
12:45 / 13.01.03
Wasn't the briefcase in Pulp Fiction a reference to Kiss Me Deadly? Iv'e only seen the latter, so I can't comment, but I have been led to believe this to be true...

And what actually was in the Tesco's bag? I really should remember... I'm just wondering if paralells caqn be drawn between it and the suitcase of Kiss Me Deadly.
 
 
rizla mission
12:56 / 13.01.03
And what actually was in the Tesco's bag?

we never find out.

I figured the Pulp Fiction glowing suitcase was a nod to Repo Man..
 
 
cusm
16:40 / 13.01.03
Or the diamonds from Reservoir Dogs, more likely, but we're rotting badly here.
 
 
The Falcon
17:09 / 13.01.03
Tesco bag had fag butts and tin, did it not? Last Temptation of Jack he used it, no?

Wasn't speaking to you, toksik. Just so you know.
 
 
Char Aina
17:56 / 13.01.03
yeah, he makes the ring for the bubble out of the ashes and butts.
 
 
yawn - thing's buddy
12:40 / 14.01.03
oh - I didnae know that bhoys!

that was a particularly weird scene - espesh as how it was drawn by Dick Giordano!
 
 
The Falcon
12:49 / 14.01.03
Aye, well.

You'll no' correct iz so fast in future.

Giordano's inks kinda cocked up Yeowell's pencils.
 
  
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