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That scene was long enough.
But what you say does bring to mind something annoying, which is --I'm probably going to be overstating here, so adjust sensors accordingly-- why is it, then, that the most useful thing that Deanna Troi does in her history as a character is to get raped? Sorry to resurrect this slightly dumb Women in Refrigerators argument, but.... Was this the first time that we've heard that Troi is, actually, telepathic? Correct me if I'm wrong, please. I thought that her mom was full-on telepathic & all Troi got was her joke talent for empathy. So it seems like they upgraded her abilities for this movie --and so there's that part where Shinzon talks about her abilities to make sure that everyone knows that we're dealing with a telepath now-- for what looks like the sole purpose of getting her raped.
The other thing that I've been stewing about is the Romulan lady played, I think, by Dina Meyer? Basically this is what happens: she makes a move on Shinzon. Shinzon rejects her, humiliatingly. She flies in to save the day for the Enterprise. They don't give her any more motivation than that! She's evidently smart and strong, she knows about this horrible weapon, she probably knows that Shinzon's going to use this horrible weapon on Earth... but it all boils down to, she fucks him over because he won't fuck her.
Grrrr... that's the thing, exp. You're right, I don't believe in Star Trek... but I love it anyway. I think you're totally right about what the movies did for TOS, and the ones that work best are the ones that work for a continuity of sorts. And that's probably why I like First Contact --despite the big suspension of disbelief that you have to do right at the beginnng-- because it reaches out to the Star Trek mythos in that same way. And also the Borg Queen blows Data. But the problem with a movie like Nemesis is that it's not consistent or believable within itself --unless you believe that sex is the source of woman's power and the source of danger.
Me go smash things now. |
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