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The quartz coating is described in a variety of historical accounts from Greek and Roman sources, and even a few Arabs ones, but I can't remember where I read them. More recent, architectural/archaeological descriptions of the Pyramids included articles by Zahi Hawas (who is in charge of almost all of the restoration and digs in Egypt) and Miroslav Verner's "The Pyramids".
As for the quartz thing and the no steps thing, I was referring to the capital-P Pyramids, as in those erected in the Old Kingdom period at Abydos (on the outskirts of modern Cairo) by Khufu, Kheferan, and the third guy. There are most certainly step pyramids in Egypt--the notably largest being that of Zozer, from periods earlier than the Old Kingdom complex. I can't recall the site offhand--Saqqara, maybe?--but there are older complexes of mastabas and other tomb-mounds representing regional, pre-unified, ancient Egypt (calling it Khem-et hasn't really caught on) where the architectural transition between earth mound (such as post-Nubian groups such as the Dinka still use), brick mound, mastaba, and step pyramid are articulated. The level of complexity corresponds fairly closely with the available man-power and resource-drawing capacity of the occupant.
I've been in the King's Chamber Cheops/Khufu twice in my life, and it is most certainly a bloody weird room--are little rectangular boxes in the middle of a pyramid ever normal?--but I don't know about its accoustics. Now, given its strange design (it's at the top of a very steep shaft and encased on all side by tons of sandstone) I can see it having some odd accoustics naturally--are you suggesting a consciously-designed accoustic property? I can't tell. Given that the shaft was filled with construction rubble to attempt to block entry up until modern excavation, though, it's not very likely that the center chamber had routine ritual functions. |
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